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Street life in asia
Street life in asia
Street life in asia
Street life in asia
Street life in asia
Street life in asia
Street life in asia
Street life in asia
Street life in asia
Street life in asia
Street life in asia
Street life in asia
Street life in asia
Street life in asia
Street life in asia
Street life in asia
Street life in asia
Street life in asia
Street life in asia
Street life in asia
Street life in asia
Street life in asia
Street life in asia
Street life in asia
Street life in asia
Street life in asia
Street life in asia
Street life in asia
Street life in asia
Street life in asia
Street life in asia
Street life in asia
Street life in asia
Street life in asia
Street life in asia
Street life in asia
Street life in asia
Street life in asia
Street life in asia
Street life in asia

P1 (90s)
*In collaboration with

Street life in the '90

Each image will tell you a story.
If you don't see it, enjoy the composition.

This collection I made during my travels to Central and South America, Africa, the middle East and Asia.

This is my first public project and made possible with my Nikon f601 I still have.
The negatives had to endure a flooding.

A recent study by professor José Manuel Susperregui, based on orographic analysis, indicates that this photograph was made elsewhere than originally claimed. This would place Capa far from the front lines, making it unlikely that the soldiers he was accompanying met any resistance, thus arguing that the photograph was staged.

Controversy is a registration of this newly defined location. A photomontage produced with scanning technology that is normally applied to the reproduction of paintings and rendered in an unusually high resolution with no interpolation. This approach paraphrases the empirical methodology of drawing conclusions from a vast amount of collected data. However, when applied to a landscape, details of moving grass and leaves while scanning sometimes lose their shape, refracting into small intensely coloured instants of a pictorial madness.

Does a scientific debunking of a photographic icon ultimately change its meaning, or does its relevance surpass its authenticity? Controversy poses an aesthetic answer to this question.

Controversy was photographed while artists in residence at arteventura, Spain, June 2016. Max Pinckers is affiliated as a researcher to KASK / School of Arts of University College Ghent. Controversy was part of his research project that was financed by the Arts Research Fund of University College Ghent and Mondriaan Fonds. The catalogue was produced on the occasion of the exhibition Controversy at M HKA - Museum of Contemporary Art Antwerp, August 2017. Permanent Collection, Fotomuseum FOMU, Antwerp.

Reference texts & reviews:
Lars Kwakkenbos, Controversy, Belgium, 2017
Hans Durrer, Controversy, Belgium, 2017

Controversy, published by Lyre Press, 2017